Saturday, December 13, 2008
Deborah Donelson wins cover image on Art Calendar Magazine, the business magazine for visual artists!
Monday, November 24, 2008
Deborah Donelson opens solo show with a packed house
Saturday, November 22, 2008
UNDER 500 – Holiday Show by Gallery Artists
Iva Morris
Charlie's Orchard
Pastel
9 x 12"
This Holiday Show features fun, fabulous and affordable art by gallery artists. From jewel-like encaustics by Kuzana Ogg to lush, fabulous pastels by Iva Morris and textured paintings by Marilyn Dillard, there is something for everybody with prices starting as low as $ 100.
Exhibition dates: December 5 - 27
(Early Bird Preview: December 2 - 5)
First Friday Artscrawl Reception: December 5, 5 – 8:00 PM
Gallery hours: Tuesday 10 - 4, Wednesday - Sunday, 9 - 6
Contact person: Regina Held, 268-8952
Cost of event: Free
November Show
Sunday, October 19, 2008
Iva Morris exhibition in Santa Fe
Friday, October 10, 2008
Elizabeth Frizsche at artspace116
Tuesday, October 7, 2008
Pathos and Eros - Paintings by Rodney Wood and Masks by Judith Rauchfuss
Exhibition dates: October 3 – November 1
(Early Bird Preview: September 30 – October 3)
First Friday Artscrawl Reception: October 3, 5 – 8:00 PM
Juried Photography show a first in Albuquerque
And what a crowd!!! The opening reception took place on July 5, the Saturday after Independence Day. Matrix usually opens shows on the First Friday of every month, but I had to move it due to the Holiday. Thanks to a great review in Local IQ, http://www.localiq.com/, and some intense blogging on Duke City Fix we could barely contain the steady throng of visitors. For a while, it was almost impossible to get into the gallery, and people spilled into the courtyard area.
As always, I was lucky to have great help. Here gallery assistant Paul Helphenstine and volunteer Carol Walker take a quick break from answering questions.
This was one of the best receptions we had all year. Either people looked for something to do on this Holiday weekend, or Albuquerqueans REALLY like photography. I like to think it was the latter – the crowd stayed until the bitter end and all of them voted for the People’s Choice award.
Votes poured in all evening long. Thank goodness, Paul continued to log in votes throughout the event or it would have taken us forever to count them all. It was also interesting to see how the favorites changed over the evening.
Lee Manning’s “Screen Test” was the leading piece off and on for most of the evening. The runner-up was Aaron Marie Beien’s “Valpincon Bather.”
When it was finally time to announce the winner of the People’s Choice Award, the crowd was in a serious party mood! Thank goodness I have a loud voice. The winner was....
Raine Klover’s “My Church.” Congratulations, Raine!!!
Our second award was the Juror’s Choice Award. Doug Fairfield selected Josef Tornick’s “Magdalena, NM.” Good job, Josef!!!!
Two weeks later, Doug Fairfield gave an informal, but incredibly insightful and passionate gallery talk about his selections. He especially spent a lot of time on Tornick’s piece, pointing to the successful composition, the repetition of the checker pattern and the story behind the piece.
As Fairfield moved around the packed gallery he not only explained some of his selections, but also voiced some very interesting opinions. For once, he commentated on the importance of titles in photography; he sometimes prefers “Untitled” over an overly descriptive one. He elaborated that it is important for the image to speak for itself, and how an overly clever title can restrain the meaning for the viewer. As a gallery owner, I cannot help but have an opinion about titles. It is an important issue. I would like to hear what the readers of this blog think about this subject. How important are titles for you? Is it different for photography than other art media? Let me know what you think about titles!!!!!
I am sorry to announce that Doug Fairflield has left the Albuquerque Museum – he now writes for Pasatiempo. This is a big loss for Albuquerque! Read his juror’s statement below.
In the meanwhile, I am planning the 2009 Photo NM show to be held next July. The call for entry will come out early January. Check out our website and mailings for more info as the time comes closer. I definitely have to agree with Dough Fairfield: “Photography is alive and well in Albuquerque.”
Regina Held, director, Matrix Fine Art
Photography by Bruce Childs, reception, and Paul Helphenstine, gallery talk
Juror’s statement:
It is extremely difficult to avoid cliches in a juror's statement. We've all
read them and rolled our eyes in disgust or frustration. But in all
sincerity the process was tough; not so much the first go-around
wherein after reviewing 160 images 41 were singled out. But to
accommodate space allotments (and a directive from the top floor)
the final review was brutal. Consequently, a very good group of
images were reluctantly let go.
Given that my appreciation is alive and well for a myriad of
photographic genres and variants thereof, this exhibition is indeed
eclectic. But that's to be expected with an open call for entries. There
was no attempt to present a thematic show nor was there a single
vision, at least not consciously, to select work that conceptually fit my
own personal aesthetic. However, I do not warm up to any art that is
clever or saccharine in content. In addition, I have little patience for
photographic imagery where process is the overriding construct. In
short, show me an image that's worth looking at, be it conceptually,
politically, or socially motivated.-.or simply beautiful.
My criterion for the selection process was not atypical. I look for a
variety of things, including originality, technical expertise, critical
thinking and a critical eye. These are integral to an image that does
not readily slip from memory but, indeed, beckons you back for
multiple viewings. I believe the photographic images in Photo NM do
just that for various reasons.
I extend my thanks and appreciation to Regina Held, Director of
Matrix Gallery, for the opportunity to serve as juror for Photo NM. I
also thank her very competent colleagues for the organization and
installation of this show. To all of the photographer/artists who
submitted work, I urge you to keep working despite impossible odds
of "great" success as a creative individual. And finally, I salute Regina
for supporting contemporary photography in New Mexico.
List of artists accepted into PHOTO NM 2008
Diane Alire
David Antreasian
Aaron Marie Beien
Wayne Bennett
Sylvia Crain
David Cramer
Fernando Delgado
Carole Devillers
Sondra Diepen
Moira Ellis
George Gibson
Raine Klover
Melissa Koch
Carl Latino
Lee Manning
David Ondrik
Charles H. Palmer
Alan Pearlman
P.D. Rearick
Julie Rybachek
Rick Scibelli Jr.
Robbie Steinbach
Josef Tornick
Gail Diane Yovanovich
San Pedro de Burque
Tuesday, September 23, 2008
How we survived three events this month!
September 5 – Reception for McCulloch and Trovillion
Seriously, why have one reception when you can have two, and a Gallery Talk to boot? There are simply too many fabulous artists to feature and too many great works of art to exhibit. Matrix started out with its First Friday reception featuring Local Treasure Frank McCulloch and new work by Emily Trovillion – two long-time Albuquerque artists who have shaped the Albuquerque art scene, such as it is, long before I opened Matrix Fine Art. If you love surreal art, don’t miss Emily’s pieces – this mini show is a treat (of course, I am totally biased since I fell in love with her work when I was still in graduate school, and, after all, she is one of “my” artists….).
Then, the day before our Friday 19th reception, we picked up Ando Shinji and Takahiko Hayashi from the airport. Our first order of business was to feed them large doses of green chile at El Patio. Thus fully acclimated, they were ready for their receptions the next day – Ando Shinji at New Grounds Print Workshop & Gallery, and Hayashi at MATRIX Fine Art. It took us most of the morning to get Ando Shinji prepared for his etching demonstration which turned out to an incredible treat - see our video and stills on the New Grounds blog. Both of these artists have a huge following – this was Hayashi’s second event in Albuquerque – he had an exhibition at New Grounds two years ago.
On Saturday, Hayashi gave us some valuable insights into his work during his hour-long gallery talk. Hayashi pointed out that the main symbol in his work is the spiral, an element that he uses to illustrate wind, flow, energy, and the landscape in general. On a technical note, he originally created large scale work by collaging several small etchings together simply because he did not have access to a large press. However, he continued to work this way even after he bought his large etching press because he had come to appreciate the flexibility of inking up several plates in very different colors and printing them on various Gampi papers before combining them into a large piece. In addition to his etchings, Matrix featured the artist’s highly textured and detailed mixed media paintings. He creates those by combining many different materials from handmade paper to strips of canvas, pigments and pen and ink. The show was completed by a recent series of under glass paintings which he developed by trial and error. These pieces have an almost primordial feel with spiral pattern in luminous colors emerging out of dark fields – alluding at string and chaos theory. This technique intrigued him because he was forced to work from the front to the back with the first layers of paint showing right against the glass.
As always, tons of people made this happen – Tanya Landin, my infinitely capable intern/gallery assistant/workshop manager (Tanya, we need to take a picture of you), Paul Helphenstine who keeps things going and me laughing, Bruce and Patti Carpenter who took Ando and Hayashi to dinner on Friday, Yoshiko Shimano, UNM professor in printmaking who graciously volunteered her time as translator, my husband Cornelius who, among many other things, takes care of the refreshments, and a sea of artists from Matrix and New Grounds who volunteered in different capacities during our functions. And, of course, thanks to all of you who attended despite of the State Fair opening, despite of Globalquerque, despite of the Old Town Artscrawl and despite of the stock market crashing!!!
See you in two weeks for our October show!
Regina Held
Tuesday, September 16, 2008
Frank McCulloch recognized as one of Albuquerque’s “Local Treasures!”
Oil on Canvas
“Local Treasures” is a month-long celebration of the arts in Albuquerque. On September 21 Mayor Martin J. Chavez will recognize 12 artists as Local Treasures in a ceremony at 2pm at the Albuquerque Museum. For more information go to http://www.artscrawlabq.org/, or http://www.blogger.com/www.artscrawlabq.org.
Frank McCulloch - contemporary landscape painter
Frank McCulloch is one of those beloved Albuquerque artists who everybody seems to know. He has contributed to the Albuquerque community on many different levels. He taught art at one of the local high schools until his retirement about 10 years ago and is a prolific painter who continues to exhibit extensively. If he is not in his studio painting, you can find him somewhere in town performing with his band, Frank McCulloch y Su Amigos, keeping old New Mexican folk songs alive. Frank was born in Gallup, NM and received his BA from UNM. He went on to receive a Master of Arts from NM Highlands University and a Master of Fine Arts from Instituto Allenda in Mexico. Awards include Governor’s Award in the Arts, National Endowment of the Arts, and National Endowment of the Humanities.
See more of his work at the gallery, or visit our website for a preview. Keep in mind that the work looks a lot better “in person.” http://matrixfineart.com/matrixfineart/frank_mcculloch/frank_mcculloch.html
Friday, September 12, 2008
Matrix Artist Marilyn Dillard is judging art quilts at Northern New Mexico Quilt Guild’s Quilt Fiesta!
Tuesday, September 9, 2008
Albuquerque flying high!!
And Regina was quoted on page 87. Really! Check it out online.
Portrait Albuquerque Featured in Delta Sky Magazine
John Garrett showing at the Arts Alliance
Show runs through September 29.
“ONCE UPON A TIME …. AGAIN “
An exhibition by three artists: Donna Loraine Contractor, John Garrett and Susan Skinner.
The Arts Alliance Gallery
Courtyard Shopping Center
1100 San Mateo Blvd. NE Suite 10
Albuquerque, NM 87110
505.268.1920
http://abqarts.org/
Open Monday thru Friday, 10 am to 5 pm, 10 am to 4 pm
The three artists, a weaver, sculptor and jeweler, randomly exchanged materials of equal value they purchased at local thrift and salvage stores. Their challenge was to use all of the items, supplementing them only with connective materials (glue, nails, thread, rivets, etc.) from their studios. Most artists are notoriously particular about the materials with which they work. While two of the artists regularly use recycled materials in their work and the third is the consummate thrift store shopper, the challenge they created for themselves pushed them all into new territories of exploration. Confronted with the mundane (old bed sheets and children’s toys) to the offbeat and particular (Yugoslavian paper dolls and an American Red Cross First Aid Manual) they were all forced to find new ways of working with the materials. The results are humorous, surreal, provocative and unexpected.
Friday, August 29, 2008
New Work by Emily Trovillion and Focus on Local Treasure Frank McCulloch
Emily Trovillion
Big Head
Oil on canvas on board
18 x 24”
Trovillion’s oil paintings feature detailed and lovingly rendered figures blending subjects from carnival to evidence of natural and unnatural disasters. Emily Trovillion was named one of New Mexico’s top 150 artists in an article in the June/July 2008 issue of the Santa Fean Magazine.
Frank McCulloch
Luna de Miel
Oil on Canvas
48 x 66"
Frank McCulloch, one of the ten artists awarded the title of “Local Treasure” as part of the month-long celebration of the arts in Albuquerque, is a New Mexico icon who has greatly contributed to the arts as teacher, artist and musician. He describes his lush expressive paintings as “landscapes of the mind.”
There will be a special celebration of a 12 Local Treasures at the Albuquerque museum, Sunday Sept. 21st at 2:00pm. Find out more about Local Treaures at http://www.artscrawlabq.org/html/local-treasures.html
Exhibition dates: September 5 - 27
(Early Bird Preview: September 2 - 5)
First Friday Artscrawl Reception: September 5, 5 – 8:00 PM
Sunday, August 17, 2008
September Show- Dwelling in the Form: Etchings and Paintings by Takahiko Hayashi
Takahiko Hayashi lives and works in Japan where he is a rising star. His etchings and pigment paintings are composed out of hundreds of detailed lines creating masterfully bold abstractions, often with vibrant color. His work is best described as abstract landscapes although it also reflects his interest in philosophy such as the writing of Lao-Tse.
Exhibition dates: September 5 - 27
(Early Bird Preview: September 2 - 19)
Artscrawl Reception: September 19, 5 – 8:00 PM (the artist will be present)
Tuesday, July 29, 2008
August Show: Reflections - Sculpture and Mixed Media Work by John Garrett
Exhibition dates: August 1 - 30
(Early Bird Preview: July 29 – August 1)
First Friday Artscrawl Reception: August 1, 5 – 8:00 PM
Gallery hours: Tuesday 10 - 4, Wednesday - Sunday, 9 - 6
Monday, June 23, 2008
A Big Thank you to Wesley Pulkka and Brendan Picker
A big “Thank you” to Wesley Pulkka of the Albuquerque Journal and to Brendan Picker of Local IQ for not only reviewing Mary Zaremba’s show, but also for writing beautifully and with much insight.
Picker interviewed the artist which added a nice more dimension to his review. He starts out by saying:
“This new photo series, entitled Life After, by local artist Mary Zaremba, belies her energetic, spunky and ultimately engaging personality. Not that this series of images isn’t engaging; they are, but the images are so “still,” it’s as if her delicately wrinkled subjects – decaying flowers and other organic materials – are frozen in crystal.”
Picker quotes the artist as she comments on her use of the scanner as her camera:
“Its’s another window to see. My house has dried flowers and seed pods in every room. I let them go and watch them transition til the bitter end. I like watch them evolve into something completely different but equally beautiful.”
He comments:
“With this technique, certain qualities become heightened. She is able to magnificently display each twisted spine of a curled vine. The fuzz on a petal of a Proteus plant becomes larger–than-life. The again botanicals are soft hued, shriveling and ultra fragile and Zaremba’s images have a depths of field that is simply stunning, with a highly detailed subject I the foreground that swiftly falls away to black. “
“My favorite piece is Blue Thistles. The sharp prickles almost explode off the paper and the blue is otherworldly. Her Daffodil portrait looks like some exotic deep-see creature, descending into the darkness. Zaremba uses this tool to play with scale and depths of field, making theses natural objects appear almost supernatural.”
He ends with “…..using the scanner – is a way to interpret the world with a new set of “eyes.” Her results are stunning.”
It seems that Picker really liked the show!!!!
Mary Zaremba, (center, looking at the camera), during her exciting reception.
Pulkka was positively exuberant about Zaremba’s work (and she deserves every bit of this praise)
“Zaremba is an excellent photographer who instills a sense of awe in viewers. Her well-crafted and painstaking imagery of dead flowers and seed pods is beautifully elegant and timeless. “Golden Rose 3” and “Daffodil I” are reminiscent of the Dead Sea Scrolls and the Shroud of Turin. The faded petals drained of life but still revealing the veins that carried nutrients to the living blossom, have the brittle beauty of faded parchment or carelessly folded linen. Zaremba offers her images as a life after life. Through photography she resurrects what was once vibrant and transforms its purpose from fertility to reverence. Through her scanner Zaremba creates monuments to the lost struggle for immortality that every living thing experiences. The show is divided between seeds, stems and dead blossoms lending it a hope/despair dichotomy. Though the life force continues to defeat entropy, it does so at the expense of its constituents. Through the technique of isolating her images on opaque dark backgrounds Zaremba emphasizes the natural sculptural structure of botanical forms. Aside from his controversial pictures Robert Mapplethorpe was the consummate floral photographer. Zaremba is playing in Mapplethorpe’s league. She is the kind of artist that makes reviewing art worthwhile.”
Did he say she is in “Mapplethorpe’s league?” Wesley, you are a dear. And did I mention that Mary’s show was a huge success? Not only was the Matrix packed for the duration of the reception, but pieces were FLYING out of the gallery. Mary presents her photography in small editions, and her work continues to be featured at the gallery – just in case you missed her show .
When walking through the gallery, Pulkka’s well trained eye caught the very unusual work of Archer Dougherty, who just had her solo show in March. This emerging artist deserves to be recognized and Wesley was generous enough to throw some praise her way as well.
“Dougherty is a 26-year-old sculptor whose work is well crafted and detailed. In “Kylemore Abbey,” Dougherty presents five elongated forms that act like stained-glass windows as seen from the outside looking in. Their faces open through a series of vertically hinged doors. These well-executed mixed media works are rooted in architecture and include figuration, drawing, painting and carpentry. She continues to dazzle the eye in “Blossom” and “Construct.” If Dougherty avoids graduate school and eschews getting a real job she could evolve into the next Erika Wanenmacher.”
Archer during her March gallery talk
Wanemacher??!!! If you do not know about this artist you have to google her. She is fabulous. Most pieces in Archer’s show sold, but since then she has brought in some amazing artist books encased in very unusual hand-made boxes – she never seizes to amaze us.
Follow this link for the complete review from 04/05/08!
ABQJOURNAL VENUE: A Fine Showing in Nob Hill
A Big "Thank You" to Wesley Pulkka and Brendan Picker
Picker interviewed the artist which added a nice more dimension to his review. He starts out by saying:
“This new photo series, entitled Life After, by local artist Mary Zaremba, belies her energetic, spunky and ultimately engaging personality. Not that this series of images isn’t engaging; they are, but the images are so “still,” it’s as if her delicately wrinkled subjects – decaying flowers and other organic materials – are frozen in crystal.”
Picker quotes the artist as she comments on her use of the scanner as her camera:
He comments:
“My favorite piece is Blue Thistles. The sharp prickles almost explode off the paper and the blue is otherworldly. Her Daffodil portrait looks like some exotic deep-see creature, descending into the darkness. Zaremba uses this tool to play with scale and depths of field, making theses natural objects appear almost supernatural.”
He ends with “…..using the scanner – is a way to interpret the world with a new set of “eyes.” Her results are stunning.”
It seems that Picker really liked the show!!!!
Pulkka was positively exuberant about Zaremba’s work (and she deserves every bit of this praise)
“Zaremba is an excellent photographer who instills a sense of awe in viewers. Her well-crafted and painstaking imagery of dead flowers and seed pods is beautifully elegant and timeless.
“Golden Rose 3” and “Daffodil I” are reminiscent of the Dead Sea Scrolls and the Shroud of Turin. The faded petals drained of life but still revealing the veins that carried nutrients to the living blossom, have the brittle beauty of faded parchment or carelessly folded linen.
Zaremba offers her images as a life after life. Through photography she resurrects what was once vibrant and transforms its purpose from fertility to reverence. Through her scanner Zaremba creates monuments to the lost struggle for immortality that every living thing experiences.
The show is divided between seeds, stems and dead blossoms lending it a hope/despair dichotomy. Though the life force continues to defeat entropy, it does so at the expense of its constituents.
Through the technique of isolating her images on opaque dark backgrounds Zaremba emphasizes the natural sculptural structure of botanical forms. Aside from his controversial pictures Robert Mapplethorpe was the consummate floral photographer. Zaremba is playing in Mapplethorpe’s league.
She is the kind of artist that makes reviewing art worthwhile.”
Did he say she is in “Mapplethorpe’s league?” Wesley, you are a dear. And did I mention that Mary’s show was a huge success? Not only was the Matrix packed for the duration of the reception, but pieces were FLYING out of the gallery. Mary presents her photography in small editions, and her work continues to be featured at the gallery – just in case you missed her show .
When walking through the gallery, Pulkka’s well trained eye caught the very unusual work of Archer Dougherty, who just had her solo show in March. This emerging artist deserves to be recognized and Wesley was generous enough to throw some praise her way as well.
“Dougherty is a 26-year-old sculptor whose work is well crafted and detailed. In “Kylemore Abbey,” Dougherty presents five elongated forms that act like stained-glass windows as seen from the outside looking in. Their faces open through a series of vertically hinged doors. These well-executed mixed media works are rooted in architecture and include figuration, drawing, painting and carpentry.
She continues to dazzle the eye in “Blossom” and “Construct.” If Dougherty avoids graduate school and eschews getting a real job she could evolve into the next Erika Wanenmacher.”
Wanemacher??!!! If you do not know about this artist you have to google her. She is fabulous.
Most pieces in Archer’s show sold, but since then she has brought in some amazing artist books encased in very unusual hand-made boxes – she never seizes to amaze us.
Follow this link for the complete review from 04/05/08!
ABQJOURNAL VENUE: A Fine Showing in Nob Hill
Saturday, April 26, 2008
Albuquerque Journal and Local IQ Review
Picker interviewed the artist which added a nice more dimension to his review. He starts out by saying:
“This new photo series, entitled Life After, by local artist Mary Zaremba, belies her energetic, spunky and ultimately engaging personality. Not that this series of images isn’t engaging; they are, but the images are so “still,” it’s as if her delicately wrinkled subjects – decaying flowers and other organic materials – are frozen in crystal.”
Picker quotes the artist as she comments on her use of the scanner as her camera: “Its’s another window to see. My house has dried flowers and seed pods in every room. I let them go and watch them transition til the bitter end. I like watch them evolve into something completely different but equally beautiful.”
He comments: “With this technique, certain qualities become heightened. She is able to magnificently display each twisted spine of a curled vine. The fuzz on a petal of a Proteus plant becomes larger–than-life. The again botanicals are soft hued, shriveling and ultra fragile and Zaremba’s images have a depths of field that is simply stunning, with a highly detailed subject I the foreground that swiftly falls away to black."
“My favorite piece is Blue Thistles. The sharp prickles almost explode off the paper and the blue is otherworldly. Her Daffodil portrait looks like some exotic deep-see creature, descending into the darkness. Zaremba uses this tool to play with scale and depths of field, making theses natural objects appear almost supernatural.”
He ends with “…..using the scanner – is a way to interpret the world with a new set of “eyes.” Her results are stunning.”
It seems that Picker really liked the show!!!!
Pulkka was positively exuberant about Zaremba’s work (and she deserves every bit of this praise)
“Zaremba is an excellent photographer who instills a sense of awe in viewers. Her well-crafted and painstaking imagery of dead flowers and seed pods is beautifully elegant and timeless. “Golden Rose 3” and “Daffodil I” are reminiscent of the Dead Sea Scrolls and the Shroud of Turin. The faded petals drained of life but still revealing the veins that carried nutrients to the living blossom, have the brittle beauty of faded parchment or carelessly folded linen. Zaremba offers her images as a life after life. Through photography she resurrects what was once vibrant and transforms its purpose from fertility to reverence. Through her scanner Zaremba creates monuments to the lost struggle for immortality that every living thing experiences. The show is divided between seeds, stems and dead blossoms lending it a hope/despair dichotomy. Though the life force continues to defeat entropy, it does so at the expense of its constituents. Through the technique of isolating her images on opaque dark backgrounds Zaremba emphasizes the natural sculptural structure of botanical forms. Aside from his controversial pictures Robert Mapplethorpe was the consummate floral photographer. Zaremba is playing in Mapplethorpe’s league. She is the kind of artist that makes reviewing art worthwhile.”
When walking through the gallery, Pulkka’s well trained eye caught the very unusual work of Archer Dougherty, who just had her solo show in March. This emerging artist deserves to be recognized and Wesley was generous enough to throw some praise her way as well.
“Dougherty is a 26-year-old sculptor whose work is well crafted and detailed. In “Kylemore Abbey,” Dougherty presents five elongated forms that act like stained-glass windows as seen from the outside looking in. Their faces open through a series of vertically hinged doors. These well-executed mixed media works are rooted in architecture and include figuration, drawing, painting and carpentry. She continues to dazzle the eye in “Blossom” and “Construct.” If Dougherty avoids graduate school and eschews getting a real job she could evolve into the next Erika Wanenmacher.”
Most pieces in Archer’s show sold, but since then she has brought in some amazing artist books encased in very unusual hand-made boxes – she never seizes to amaze us.
Follow this link for the complete review from 04/05/08!
ABQJOURNAL VENUE: A Fine Showing in Nob Hill http://www.abqjournal.com/venue/06111510venue04-06-08.htm
Sunday, April 20, 2008
April Show -- Life After: Photographs by Mary Zaremba
Exhibition dates: April 4- 26
Thursday, February 28, 2008
March Show: Illumination - Sculpture by Archer Dougherty
Archer Dougherty's lush and intricate sculptures are deeply rooted in an ancient, mystical soil. The effect is akin to stumbling across a ruined church in the woods, still full of arcane regalia & fragmented decoration, a simultaneous experience of the Lost and the Found.
First Friday Opening: March 7, 5-8pm
Exhibition dates: March 7 – 29.
Gallery Talk by Archer Dougherty: Saturday, March 15, 1 – 2 PM